Poornima Manco

Author

Writing

What’s the point?

by

Every author, regardless of the genre they write in, has some kind of message in their writing. Whether that is good overcomes evil, soulmates exist, happily ever afters are possible, crime doesn’t pay, etc, etc. You get my drift. Now, these messages aren’t necessarily emblazoned on their covers or blurbs. In fact, sometimes, the messages are so deeply buried within the writing that a reader would be hard pressed to vocalise them if asked. But they are there, even in the fluffiest romcom, the bloodiest crime caper, the most nerve-tingling thriller. Search and you will find.

However, sometimes, there is a disconnect between the message sent and the message received. What an author may be trying to say is open to hundreds of interpretations and misinterpretations. It depends on the reader, their mood, their provenance, their cultural history, their upbringing, their exposure to the world and many such factors. That can make for a jarring experience, both for the reader, and also for the author when they read a scathing review of their work. “That wasn’t what I was saying!” An author might cry out in the privacy of their home.

Whose fault is the misunderstanding? The author’s or the reader’s?

Now, having been both, I can tell you that the answer is complex and nuanced. As an author who is trying to put a point across, I want to be subtle. I want to layer my message within the story, the dialogues, the actions of the protagonists and the consequences of those actions. Do I want to beat the reader over the head with my message repeatedly? No! That is the most basic and worst kind of didactic writing there is. Yet, within all of this lies the risk of being misunderstood.

Let’s take the last novel I wrote and released back in 2022: Intersections. Most of the reviews I received were wonderful. Haunting, complex, emotional and compelling were some adjectives used to describe the story. So far, so good. But any writer worth their salt knows that it’s the negative reviews that stick in one’s head. I know of many authors who refuse to read their reviews, content if their works have a high star rating. I, sadly, am not amongst those. I enjoy reading my reviews because I see it as a learning ground. Somewhere I can find out firsthand what my readers are thinking, what I did well and what I could do better.

This one review had me baffled. The reviewer said she found the book was very well written, that I, as the author, had tackled an intricate plot with four alternating viewpoints and kept her engaged throughout. She then went on to talk about the story and finally ended with saying that the reason she wasn’t giving the novel a full five stars, despite having enjoyed it, was because the book didn’t seem to have a point or a higher message. Therefore, she felt it would not endure.

Picture a knife to the heart. That is how gutted I was to read this review. You see, my point had escaped her completely. This novel about four young women from very different walks of life who become friends in childhood, only for their friendship to splinter in their teenage years, for them to go their separate ways and reunite in their forties, had a point and a higher message. I wanted to show how random life can be. How those we perceive to be more fortunate and more blessed than us are subject to the same vagaries of fate as anyone else. Being born into a higher social and economic strata does not ensure happiness nor is it a guarantee of success, while conversely, coming from the lower end of society is not a predictor of misery and failure. Life is messy and unpredictable. Our spheres of control are limited and the sooner we accept that, the quicker we will adapt to and thrive in changed circumstances.

Perhaps it was my fault that my message wasn’t clear enough. Maybe the novel, which begins with an accident, and ends with the reason the accident occurred and the consequences of that fateful evening, felt jarring to this reader because it was too arbitrary to come to terms with. Unfortunately, many a time, life is that way, too.

As I’m working on my next novel, this criticism keeps me wondering whether I’m doing enough to convey my point. This book deals with the circularity of life, of how what goes around comes right back around. Do I keep it understated as I would like to? Or will that be too obscure and unfathomable to a potential reader? I could choose to ignore this reviewer and write what I want to write. That would be at my peril. You see, every reader is precious to me, and their criticism is a part of my growth as a writer.

Therefore, it is incumbent upon me to work on my craft and deliver a reading experience that is consistent with my philosophy, my convictions, and my worldview. Hoping these will be understood and will align with those of the reader, too.

That, after all, is the point.

 

 

Custodian

by

What am I

But a custodian?

 

You take root in me

My body nourishes yours

You grow

 

For nine months

I house you

Protect you

Nurture you

 

Then you emerge

An infant

Bawling

Suckling

Sleeping

 

I care for you 

As a mother

An attendant

A guardian

A protector

A custodian

 

The time seems long

But really

It is short

Moments turning to minutes

Hours to days

Days to months

Months to years

 

Suddenly

You are grown

 

You have your own mind

Your own ideas

Your own thoughts

 

Your destiny is yours alone

I dare not question it

Or debate it

For who am I?

 

Just a mother

A guardian

An attendant

A protector

A custodian

 

I am of a different time

You tell me

Out of touch

Out of step

Out of line

 

I step back

Hurt

Confused

Pained

Startled

By your anger and resentment

 

Your words 

Your eyes

Your actions

Blame me

And me alone

 

I am at fault

A mother who has failed

 

What am I, then?

If I am no longer your custodian?

 

You fly away

Far away

So far from me

 

I cannot reach you anymore

Not through words

Or actions

Or love

 

You are making your life

In a different land

With a different plan

Than the one 

I had envisaged for you

 

But that is okay

As long as you are happy,

And if you are happy

That is all 

I have ever wanted

For you

 

When you return

It is a surprise

A welcome one

Even if 

you return with 

Tears in your eyes

And a swollen belly

 

You are home

I am your mother

 

Someday soon

You

Will be a mother too

 

That is when

You will understand

That

You have to be

Everything I was

 

And more

 

For

What are we

But

Guardians and attendants

Protectors and custodians

 

For those

Who come after us

Forevermore…

THE END

The Mystery of the Missing Mentor

by

Many, many moons ago, when I first began writing as a hobby, the only way I knew how to get any validation was to submit my short stories to various competitions. This was well before social media, and I’d scroll through different sites on the internet to get a feel for different competitions, their submission guidelines, and whether the price of the entry ticket included some kind of review or assessment of the submitted piece. Now these were the best bang for my buck. Whether I won, whether I even got an honourable mention, was immaterial, because I was getting something invaluable—feedback. To a novice, this feedback was worth its weight in gold. After all, how else was I to know if I was any good?

Amongst the very many competitions that I submitted to, there was one spearheaded by a retired English professor who, for a small fee, would give a breakdown of what worked and didn’t work in a particular story. Over time, and multiple submissions, I came to regard him as something of a mentor. He was a fair but forthright judge and his comments/suggestions always served to improve my work. Perhaps he developed a certain fondness for me too, as one day, quite out of the blue, I received a friend request from him on Goodreads.

Back in the day, when social media was a nascent entity, a multi-headed hydra that no one knew much about, we signed up for nearly every account going. If you’d asked me to distinguish between LinkedIn and Twitter, or Facebook and MySpace, I wouldn’t have had a clue. Goodreads was another one of the ilk. To someone who loved books, wanted to write books (however deeply suppressed the desire might have been), finding myself amongst other book lovers in a virtual world was a dream come true. This was where my mentor (who shall remain unnamed) reached out to befriend me. I still remember my squeal of delight in a bar in Budapest. I was on a family holiday with my husband and daughters, and when that little red notification popped up next to the bell icon, I clicked on it to discover that Prof X wanted to be friends!

Looking back, perhaps he was new to the platform too and was befriending every Tom, Dick, Jane and Joan on it. I might have been one of the many “suggested” friends that he clicked on. At any rate, I took it as a good sign. The next year, I signed up for his email course designed to help new writers like me improve our craft. The course was good and to my eternal dismay, I consigned it to the memory of an old laptop that crashed, and I could never recover the contents. Long story short, this man was instrumental in getting me off my mark and on the writing track, however slow a runner I might have been. (I remember him saying something about reining in the metaphors… hmmm!)

Anyway, as the years went on, and I got more serious about my writing, I began submitting (and placing) in more prestigious competitions. In the interim, Prof X had wound down his competition/feedback site. So, imagine my surprise when one day I received an email from him. When I opened it, I found it was actually a missive from his daughter who said that her father had had cancer and had passed away a few weeks ago. She was informing all his contacts and emailing all his previous students.

I was shocked and saddened. Prof X hadn’t seemed that old, but that doesn’t mean a thing with cancer, which is a cruel and formidable foe. For many days after, I would think of the Prof and the many pointers he had given me all those years ago. I prayed for his soul to rest in peace and hoped he hadn’t suffered too much.

More years went by. Now I was a published author, and long and winding as the road might have been, the destination had always been books. My own books of short stories and women’s fiction. Books that were sold on Amazon and Apple, Nook and Kobo. I was nowhere near giving up the day job (which I still enjoy very much) but slowly I was building an alternate career, one that I hoped would take me through retirement and into my dotage.

I was still active on Goodreads, but more as an author than a reader. I knew now that it was bad form to slate another author’s books or try too hard to promote one’s own. I refrained from doing both, only occasionally commenting about a new release, or liking a favourable review. So, the next thing that happened shocked the living daylights out of me!

One day, as was my habit, I wandered into Goodreads and posted a brief comment about a forthcoming release. Moments later, I noticed someone had liked my status. I clicked on to find out who…

Prof X had liked my comment!

What???

I thought he’d long passed on.

Had I imagined it?

I tried looking for the email from his daughter, but that had disappeared alongside the course and possibly my sanity.

Was Prof X alive and kicking? And if so, why had his daughter lied? If not, who had taken over his Goodreads profile, and why?

Questions that circled in my mind like vultures. I nearly reached out to him, but then wondered how to introduce his demise in the interaction?

“Dear Sir,

Is it true that you died several years ago? If so, how are you performing this miraculous act of functioning on Goodreads from the Hereafter?”

Nope. I slunk back into my shell, terribly confused and forevermore bewildered by the turn of events.

I wish I could tell you I solved the mystery. I didn’t. I’ve had no further contact with the Prof, and one day I found he had disappeared from my friends list, never to be seen again.

But what I can tell you is this. Once a person has passed on, their social media handles need to be retired too. This instance was the first in what has now become the norm. I see my Instagram stories being viewed by the spouse of a friend who died not too long ago. I see clueless people wishing deceased friends on Facebook on their birthdays. I get jarring reminders of social media anniversaries with people who are well beyond the veil now.

Stop. Just stop.

Much as I would like eternal life for all my friends and family, social media is not the place to acquire that status. Can we all set something in place whereby once we are gone, our social handles disappear too? I’d like to do that for myself. I don’t want my grinning face popping up on anyone’s birthday reminders list after my demise. It’s not fair to them, and it’s not fair to my dead self, either.

Meanwhile, Prof X, if you are reading this, please could you just sort it out once and for all? Are you still amongst us? And if not, does the great beyond have its own social network? If it does, is it as hellish and confusing as the one here?

Oh, wait. Maybe Fire and Brimstone are just alternate names for…

 

 

 

All of Her

by

Somewhere within her there is a little girl of eight. She waits for her mother to return from work, scared of the scolding her report card will beget, yet secure in the love and forgiveness that will inevitably follow. She listens to her father at the dinner table as he talks of his clients and their problems, the gentle wisdom he imparts daily underlined by the kindness flowing through his veins. At night, she weaves dreams around amorphous futures before falling deeply and heavily into slumber’s arms.

Somewhere within her, there is a rebellious teenager of sixteen. She curses her parents under her breath, planning elaborate schemes to hoodwink them and following through with none. Her friends are her life and she spends hours on the phone with them, talking about everything and nothing, all at once. She nurses a crush on the neighbourhood boy, watching him covertly as he walks his dog in the evening. She ignores him on the street when he smiles at her, because “good girls” don’t return male attention. But she is quietly devastated when he finds himself a pretty girlfriend, someone far prettier than her.

Somewhere within her is a young woman of twenty-one. She stands on the threshold of her adult life, ready to embark upon an adventure. Excited, nervous, unprepared, she is sad to leave home but wondrous at the possibilities ahead of her. “This,“ she whispers to herself, “is when I can truly begin to live on my own terms.” It’s not until much later that she realises that with freedom comes responsibility. And bills. Lots and lots of bills.

Somewhere within her is a thirty-year-old new mother, cradling her month-old baby, who doesn’t stop crying. Exhausted, she cries alongside. Surrounded by men – husband, father, father-in-law – who are no good to her at a time like this, she yearns for a woman’s touch, someone who will reassure her that this too shall pass, that childbearing and rearing isn’t an impossible task. There is no one who can replace her mother, who is long gone. She misses her desperately, the hollowness inside threatening to engulf her. Friends step in, clumsily, but they comfort her far more than the men can.

Somewhere within her is a forty-year-old who still looks young and alluring. No longer in love with her husband, she enjoys the attention that other men give her. She flirts – coy and cooing, revelling in the excitement and danger of uncharted terrain. In the dying embers of her youth, she feels alive again. No longer strait-jacketed by society’s mores and values, she wants to soar above the labels of wife and mother. She wants to forge ahead in her career, eager to shed the ties that hold her back – friends and family who caution and counsel her. She wants to define herself as someone important, someone worth knowing, someone others aspire to emulate.

Somewhere within her is a fifty-year-old divorcee who doesn’t know who she is anymore. Her husband has left, the children have moved away; the once dazzling career has fizzled; the paramours have melted away, and no, she isn’t someone important or worth knowing. She is just another anonymous woman living an anonymous life, searching for love on the internet. Her single status has left her friendless, a scarlet letter invisibly tattooed on her person declaring that she might poach on other women’s territories. She is afraid of loneliness, of old age, of dying.

Somewhere within her is a sixty-five-year-old grey-haired granny who is slightly hard of hearing. She, who had made peace with her singlehood before finding love with her husband again. They have both wandered and returned, this time to a quieter, more sedate love, one that will last the distance. Suddenly, her life is full to the brim with children, her children’s children and the school runs and coffee mornings that she missed out on the first time round chasing a career. She marvels at life’s bounty, crossing her fingers daily, praying that her luck doesn’t run out again.

Somewhere within her is a seventy-two-year-old widow, crying over wasted years, bloated egos and stupid, ridiculous, futile arguments. She misses everything about him, even his habit of leaving the cap off the toothpaste tube. Her children rally around her, reminding her of the good times, of what she still has, of what they created together. She wonders how her own father managed for two decades without her mother, how he carried on being a parent while putting a full-stop to being a spouse? She knows that the world still turns and she must turn with it, as others before her have done.

Somewhere within her is an eighty-five-year-old woman with arthritis, a heart condition and two hip replacements. She no longer cares she isn’t someone important, because she knows that in her own small way, she is. There aren’t many of her peers left, but those that are still meet monthly for a long and leisurely lunch. They discuss their families, the state of the planet, their misspent youths and laugh as only the young or the very old can – uninhibited and unashamed. They don’t understand the world anymore, feeling out of touch with everything, but they don’t care what anyone thinks of them, either. They sit comfortably in their wrinkled skins, free from the shackles of youth and vanity.

Somewhere within her is a ninety-year-old woman ready to give up her mortal coil. Life is a drag, and the only thing she looks forward to now are the rare visits from her great-grandchildren. Adults bore her while children delight her. In their innocence, she sees the only remaining purity in an increasingly depraved and insane world. Every morning, she wakes up and sighs that she is still alive. She prays for death; she invites it into her dreams, hoping it will step out of them and into her life someday soon. She waits and waits and waits, her hands crossed in her lap, her coffee cooling on the table beside her.

Imposter syndrome

by

Lately there’s been a lot of  “Who, me?” going on in my mind. It has not even been an entire month since I published my book, and the response has been very positive. Much more so than I expected. Particularly as this book was only a proverbial dipping of my toe into publishing waters.

Consequently I have had people asking for the book to be autographed, been called an ‘author’ on a public platform, been asked to hold a book signing event, to donate copies of my books for a charitable cause, to attend a book club meeting to speak about my book, and also an invitation to enter it into an International Book awards competition.

Who, me?????

Now, don’t get me wrong; I have semi-enjoyed all the attention. Secretly, however, I have been unable to shake off the feeling that I am not deserving of it. After all, this slim volume of six short stories is no ‘War and Peace’. Nor is it Shakespeare. A lot of these stories are from very early on in my writing journey, and I know that I have come a fair way since then.

Therefore, I have to wonder if this is some kind of a Tsunami of goodwill that I am witnessing. Colleagues, friends and acquaintances that like me and therefore like my book?

Indie publishing is not an easy task to undertake. It is terribly labour intensive, and for a perfectionist like myself, it means many many sleepless nights. The worst part however, is the marketing side of things. Writers are by nature fairly reclusive people. Even though my friends can vouch for my gregarious and sociable side, they very rarely see the side that just wants to hole up and read or write. So, to actively go out there and promote and advertise my work, has been a very distasteful task.

When the fruits of that labour have started to come in, why am I so meh about it?

I can only put my apathetic response down to the Imposter Syndrome. Defined as a concept describing individuals who are marked by an inability to internalise their accomplishments, and a persistent fear of being exposed as a ‘fraud’.

Yes, me.

The stories are good. I know that. I also know that they are not brilliant. I am not there yet. Hence, all this attention seems overblown and undeserving. That’s the predominant thought in my mind.

On the flip side, I know that this momentum can’t and won’t last. So, why not enjoy it while it does? What’s holding me back?

I dedicated this book to my mother who was my biggest critic and my staunchest advocate while she lived. I often wonder what she would have said, and invariably, this is what I come up with:

Bouquets and Brickbats are par for the course. If you love something, keep on doing it. Give it your best, have no regrets and keep on moving forward, not looking back.

Thank you mummy. That’s exactly what I will do.

 

 

The beauty impediment

by

Beauty lies in the eyes of the beholder, they say. But what if the beholder(s) are unable to look beyond the beauty? What if the person gets defined, slotted, pigeon holed by that beauty? What if that very beauty becomes a stumbling block towards character development? This is not everyday attractiveness I am talking about. This is the stop-you-in-your-tracks beauty. The kind that only very very few women are naturally (without the aid of cosmetics, surgery or camera jiggery pokery) blessed with.

My daughter has an incredibly beautiful friend. The sort of friend that gets offered modelling contracts by strangers on the street. This girl is also whip smart. Unfortunately, in the intensely competitive teen milieu that is much too much of a fortunate combination. So she downplays her intelligence, and sails by on her looks. She is popular and well liked because of it. More’s the pity.

A man can be drop dead gorgeous and super intelligent, and no one ever questions it. Look at George Clooney. Or better still, Justin Trudeau. Yet a woman needs to forever hide her intellect under a bushel, or Heaven forbid!

Hedy Lamarr, an Austrian actress from the 40’s was well known for her breathtaking beauty, and the added glamour quotient she brought to the silver screen. Less for the fact that she was also the inventor of the Spread Spectrum Technology. A pioneer in the field of wireless communications, that would become the bedrock of cellular technology. This fact was only recognised and celebrated towards the end of her life. Frustratingly for her she was typecast by her singular beauty.

Now don’t get me wrong. Beauty is a wondrous thing to behold. Beauty and youth are a potent combination. And I can’t think of one single woman who would turn down the chance to be both. If only it were not so limiting!

Charlize Theron, the Amazonian South African actress, with the endless legs would probably say the same. Her Oscar winning turn in the movie “Monster” wasn’t just due to her acting chops.It was also the remarkable transformation that she embarked upon, making herself look downright ugly, so that the focus could be on her performance and not on her face.

Why is it so difficult to accept that a woman can be preternaturally beautiful, and also possess the attributes of intelligence, wisdom, talent, aptitude, ability and ambition? Is this a narrow view that is subscribed to and cultivated only by men, or are we women just as guilty of it?

Helen of Troy, another mythic beauty, was ‘the face that launched a thousand ships’, and the Trojan war. Men fought to own her, and sadly, that is her legacy. How much more interesting it would be to exhort a 21st century Helen to build some ships instead?

To set store by something as transitory as beauty, is to ignore (to our detriment) those qualities that are far more valuable in the long run. Warmth, empathy, grit, loyalty, compassion, intelligence – all of which are just as, if not more beautiful, than a genetic accident.

These are the qualities worth celebrating. This is the wisdom we need to pass down.

“Beauty should be the icing, not the cake” – Unknown.